Cut A Lonely Figure | In Sea, In Circles, In Concretepan y rosas discos (DL) The simplicity of chorus-effected guitar in the fading-in ripple that commences In Sea, In Circles, In Concrete by Cut A Lonely Figure after several measures is readily joined by a stereo-panning noise loop.  The four note walk-down and pop of […]

Still und Dunkel | AbandonedHallow Ground (LP/CD/DL) From the opening seconds of searing harsh noise rasp like a contact mic applied to a sheet of metal unto cat-claw-on-a-chalkboard effect, through electronic swells and resting in a spell of quick-clicking, Abandoned (English, ‘quiet and dark’) by Still und Dunkel rips through dynamic (d)evolutionary spaces.  I should […]

Funeral Souvenir | La Noche del AnhídridoVerlag System (LP/DL) This re-issue of an original 1987 six track quintessential Spanish industrial noise tape is further fueled with a peppering of other re-issues.  Totaling ten tracks, the additional tracks are taken from compilation releases from 2009-2011. With cover art re-contextualizing Ed Clark’s original photo of Graham W. Jackson […]

Gabriele Mitelli | The World Behind the SkinWeInsist! Records (CD/DL) The release contains two poetic prose premises (written by Nicola Di Croce and Rob Mazurek) however, the four track album The World Behind the Skin by Gabriele Mitelli remains shrouded in suspense, harsh-romanticism, even with hints of passive-aggression.  The self-aware sonic abstractions take on a […]

Thomas Brinkman | RaupenbahnEditions Mego (LP/DL) Somewhere between music ethnomusicology and sociological study are Thomas Brinkman’s field recordings of 1700’s looms.  Entitled, Raupenbahn and recorded in hi definition in 2017 and 2014 (from the Central Museum of Textiles, Poland), these rhythmic noise tracks resonate profoundly in an organic ‘pre-industrial’ context.  Not only in their rhetorical […]

Erik Levander | InåtForwind (CD/DL) Swede Erik Levender presents Inåt (translation: Inwards).  Listeners have about thirty seconds to self-reflect before being pummeled with a devastating drop.  The synth-tones like wire; meshed together to form uneasy quakes.  High-pitched frequencies counter-weight luridly grim moments of de facto doom.  The cover art (Katharina Ira Allenberg) suggests a stoney self-examination; the […]

E Millar | no instrument machine, airMystery & Wonder Records (CD/DL) A groaning din–heavy bass undulating tone-field sets the mood for what ensues as a horrific animus industrialite in-dwelling that is Montreal-based Elizabeth Millar’s no instrument machine, air.  Within seconds of its twenty-two minutes the listener must confront how to approach what they are experiencing.  […]